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Sam Burford, Cinema as proto Latent Space, 2024 -
Herman Lohe, Winter motif from the Marshlands, Getberg, 2024 -
Xuesen Liu, Mother of All Exiles, 2020
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Nicole Wassall, Maquette of the Memorial that will Never be Made, 2019 -
Takefumi Hori, Gold and Colour CXVII -
Roger Holtom, Outback
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Herman Lohe, Motif från Djupdalen, 2024 -
Sam Burford, Ways of Seeing Western Cultural Aesthetics, 2024 -
Nicole Wassall, It's not as Superficial as It Looks, 2019
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Herman Lohe, Dawn at IJmeer, Netherlands (soluppgång), 2024 -
Sam Burford, Mulholland Drive Opening Scene, 2024 -
Nicole Wassall, My Tree is not your Tree, 2017
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Herman Lohe, First Snow, November (Första snön i November), 2024 -
Sam Burford, Jitter, 2024 -
Xuesen Liu, After Alan Watts, 2017
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Nicole Wassall, I Wish the Hand was Silver, 2012 -
Dénes Maróti, Dante: Divine Comedy, 2001 -
Roger Holtom, Le Havre
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Herman Lohe, Tempest (Oväder), 2024 -
Sam Burford, Total Recall Opening Title, 2024 -
Nicole Wassall, Thank You Part I, 2019
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Xuesen Liu, Gajananam, 2018 -
Dénes Maróti, Gates of Hell, right wing, 2002 -
Takefumi Hori, Silver & Silver IV
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Sam Burford, Portrait of Alexnet, Pengon, 2024 -
Herman Lohe, Sunset (Solnedgång), 2024 -
Nicole Wassall, Channelling Baroness von Dada (part 3) , 2017
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Sam Burford, Portrait of Alexnet, Happy Eight Ball, 2024 -
Herman Lohe, The Moon over the Angerman River, Norrland (Månsken över Ångermanälven), 2024 -
Nicole Wassall, Channelling Baroness von DaDa Part I, 2017
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Sam Burford, Portrait of Alexnet, Trooper, 2024 -
Herman Lohe, Dies Irae, 2017 -
Nicole Wassall, Remembrance, 2017
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Sam Burford, Piss Kitty, No 1, 2024 -
Herman Lohe, Skydiving Waterlilies, 2017 -
Nicole Wassall, Flying Geisha Girl - Pure Geisha, 2014
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Sam Burford, Beardy Foss Cluster, No 1, 2024 -
Herman Lohe, Midwinter archipelago, 2023 -
Xuesen Liu, Genesis, 2018
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Nicole Wassall, The Law of unplanned Consequence, 2014 -
Roger Holtom, Hieronymus -
Takefumi Hori, Silver and Colour CII
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Sam Burford, Buff Raccoon, No 1, 2024 -
Herman Lohe, Winter scene at dusk, 2024 -
Xuesen Liu, Genesis II, 2019
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